Biography

Philip Nunn was born in Melbourne in 1961. He studied music at the University Melbourne before teaching there between 1986 and 1991. Settling in London in 1991 he continues to compose and teach privately.

Tuesday, August 24, 2010

Review

From The Age (Melbourne)

Australian Chamber Choir August 24, 2010


Our Lady of Mount Carmel Church, Middle Park, August 22

Review, Clive O'Connell

ONLY three years old, the Australian Chamber Choir attracts a large body of enthusiastic followers, larger even than several older Melbourne choral organisations. On Sunday, its 20 members performed a mixed bag to a well-populated church audience, revisiting some works that director Douglas Lawrence has made familiar during his years leading the Ormond College and Scots' Church choirs, along with some short, new offerings delivered with enthusiasm and a well-buffed vocal patina.

Central to the program was Allegri's Miserere, the executants grouped together on the high altar. The reading was fluent and blessed with an excellent soprano who articulated spine-chilling top-Cs with comfortable assurance.

While Byrd's Ave Verum Corpus and Handl's poly-linear Pater Noster gave evidence of the ACC's solid grounding, an unexpected pleasure came with Philip Nunn's I Heard the Owl Call my Name, four reflections on Margaret Craven's spartan and moving novel.

The Australian composer's score is still powerfully evocative and clear-speaking after two decades and was deftly accomplished by this group.

With a Brahms sacred song and a Rheinberger Abendlied to exemplify a stoic German Romantic view of Christianity, Lawrence and his singers finished their formal program with Bach's rollicking motet Der Geist Hilft, maintaining an admirable clarity in the opening movement's complex polyphonic matter, and revealing a finely balanced spread of layers in the concluding chorale: Bach vocal interpretation of high quality, with a bouncy energy and unwavering unanimity of pitch.

Wednesday, June 16, 2010

Houston Dunleavy

Houston has relaunched his blog. And it can be found here. He's been a good friend and co conspirator over many years ever since those sublime days at the Melbourne Con. (Has anybody noticed if it's still there by the way?).

Sunday, May 9, 2010

Timorgelfest 2010

I've received notice that the organ psalm prelude Qui Habitat will be performed at this years Timorgelfest. To the best of my knowledge this is the first performance of any of my music in Romania. Many thanks to the organisers and to the dedicatee David Scott Hamnes. More details to follow.

Wednesday, April 7, 2010

The Owl returns

The Australian Chamber Choir have announced that I Heard the Owl Call My Name will be included in a programme given at the Church of Our Lady of Mr Carmel, Middle Park, Victoria, Australia  on Sunday 22nd of August 3 p.m. They will be using the revised version of the score prepared for the forthcoming publication of this piece. Many thanks to Douglas Lawrence for this information.

Monday, April 5, 2010

Via Crucis

On the Wednesday in Holy Week  Jonathan Eyre performed Via Crucis (2003) on the organ of St Nicholas' Church, Harpenden, U.K. The piece was originally written for Tim Vallence and previous performances have been given by Douglas Lawrence and David Hamnes. Via Crucis is a set of 14 chorale preludes based on chorales matching the traditional Stations of the Cross.

Monday, March 8, 2010

Psalm Prelude-premiere

David Scott Hamnes (see links) has contacted me with the news that he will premiere one of my Psalm Preludes on the 14th of March. David is the dedicatee of this particular piece, one of a set of three, written for friends in 2009.

Wednesday, February 24, 2010

An Interview

I'll be recording a radio interview on Hobart ABC FM tomorrow afternoon (Thursday 25th of February). I gather it will be broadcast on Friday afternoon (26th of February) sometime between 2 and 4 pm.
Update
The interview dealt almost exclusively with Gregorian Chant and the revival of interest in it in the last decade.